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Deux séries de dessins brutaux et crus de Miriam Cahn
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Lautréamont and Yourcenar
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Cut Out: A Feminist History of Photo Collage, Montage and Assemblage Amelia Poole Deux séries de dessins brutauxCut Out presents the previously untold relationship between photography, feminist art, and collage through the V&As extensive collection of photography, spanning from the nineteenth century to the present day. Female artists have long employed collage to reflect the ways in which identity is often constructed from conflicting, contrasting, and contradictory parts. Cut Out explores the relationship between photography and feminist collage,
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