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contre le bien commun » (extrait du texte de Roberto Ferrucci)
Le résultat kaléidoscopique des «2280» relève d’un nouveau type de tension : la figure est quasi-absente
publié en anglais et en japonais et illustré par de multiples vues des processus de la résidence
Vie clandestine des maisons closes
Great Ass at The Met twin-palms contre le bien commun »Great Ass at The Met reproduces the complete series of drawings Karl Haendel made after a visit to the The Metropolitan Museum of Art, iPhone in hand, looking for the best male asses of antiquity. The New York born artist, known for his practice of expanding the language of contemporary drawing, made the pencil on paper works from the photos he took on his Met cruise, after recognizing that they looked a lot like, well, butt picsthe lingua franca of
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